“I turn to the poem, I turn to the page for a sense of hope, how to move through life, how to get through a day,” says Danusha Laméris. “I have come to a place where I trust the poem more than I trust myself.” In our second conversation with the award-winning poet, (We also interviewed her in Episode 29 on “the understory”), she shares from her newest collection, Blade by Blade, and we talk about how a writing practice grows us, how it allows us to “salvage time,” and how it helps us see how connected we other with the past and with others.Danusha Laméris’ first book, The Moons of August (2014), was chosen by Naomi Shihab Nye as the winner of the Autumn House Press Poetry Prize and was a finalist for the Milt Kessler Book Award. A Pushcart Prize recipient, some of her work has been published in: The Best American Poetry, The New York Times, Orion, The American Poetry Review, The Gettysburg Review, Ploughshares, and Prairie Schooner. Her second book, Bonfire Opera, (University of Pittsburgh Press, Pitt Poetry Series), was a finalist for the 2021 Paterson Poetry Award and the winner of the Northern California Book Award in Poetry. She was selected for the Lucille Clifton Legacy Award, and was the 2018-2020 Poet Laureate of Santa Cruz County, California. She is on the faculty of Pacific University’s Low Residency MFA program. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe